"Document 5000 Series "
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Roosevelt Sykes Vol 6 1939 - 1941 More Info on our New Store >> |
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Roosevelt Sykes Vol 7 1941 - 1944 More Info on our New Store >> |
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Buddy Moss Vol 1 1933 More Info on our New Store >> |
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Buddy Moss Vol 2 1933 - 1934 More Info on our New Store >> |
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Buddy Moss Vol 3 1935 - 1941 More Info on our New Store >> |
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Big Bill Broonzy Vol 4 1935 - 1936 Big Bill Broonzy, vocal, guitar. With contributions from: Black Bob, piano; Jazz Gillum, vocal, harmonica; Carl Martin, guitar; Zeb Wright, violin; Louis Lasky, guitar; and others. Genres: Blues, Early Chicago blues, blues guitar, blues harmonica. Informative booklet notes by Keith Briggs. From this album's booklet notes.
Prior to the recordings presented here Bill had worked with Georgia Tom Dorsey to produce one of the many successful guitar/piano combinations that were so popular in the wake of Leroy Carr and Scrapper Blackwell, the latter being a man to whom Bill gave a lot of attention. They had worked with Jane Lucas and the results were nothing like the blues and stomps of Bill's first appearances in the recording studios. Following this he had formed an alliance with pianist Black Bob with whom he worked the clubs and recorded. Along with Bob he would join with a group of other humble toilers in the local entertainment industry to produce the State Street Boys. Continued... More Info on our New Store >> |
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Big Bill Broonzy Vol 5 1936 - 1937 Big Bill Broonzy, vocal, guitar. With contributions from: Black Bob, piano; Jazz Gillum, vocal, harmonica; Carl Martin, guitar; Zeb Wright, violin; Louis Lasky, guitar; and others. Genres: Blues, Early Chicago blues, blues guitar, blues harmonica. Informative booklet notes by Keith Briggs. From this album's booklet notes.
Prior to the recordings presented here Bill had worked with Georgia Tom Dorsey to produce one of the many successful guitar/piano combinations that were so popular in the wake of Leroy Carr and Scrapper Blackwell, the latter being a man to whom Bill gave a lot of attention. They had worked with Jane Lucas and the results were nothing like the blues and stomps of Bill's first appearances in the recording studios. Following this he had formed an alliance with pianist Black Bob with whom he worked the clubs and recorded. Along with Bob he would join with a group of other humble toilers in the local entertainment industry to produce the State Street Boys. Continued... More Info on our New Store >> |
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Big Bill Broonzy Vol 6 1937 Big Bill Broonzy, vocal, guitar. With contributions from: Black Bob, piano; Jazz Gillum, vocal, harmonica; Carl Martin, guitar; Zeb Wright, violin; Louis Lasky, guitar; and others. Genres: Blues, Early Chicago blues, blues guitar, blues harmonica. Informative booklet notes by Keith Briggs. From this album's booklet notes.
Prior to the recordings presented here Bill had worked with Georgia Tom Dorsey to produce one of the many successful guitar/piano combinations that were so popular in the wake of Leroy Carr and Scrapper Blackwell, the latter being a man to whom Bill gave a lot of attention. They had worked with Jane Lucas and the results were nothing like the blues and stomps of Bill's first appearances in the recording studios. Following this he had formed an alliance with pianist Black Bob with whom he worked the clubs and recorded. Along with Bob he would join with a group of other humble toilers in the local entertainment industry to produce the State Street Boys. Continued... More Info on our New Store >> |
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Big Bill Broonzy Vol 7 1937 - 1938 Big Bill Broonzy, vocal, guitar. With contributions from: Black Bob, piano; Jazz Gillum, vocal, harmonica; Carl Martin, guitar; Zeb Wright, violin; Louis Lasky, guitar; and others. Genres: Blues, Early Chicago blues, blues guitar, blues harmonica. Informative booklet notes by Keith Briggs. From this album's booklet notes.
Prior to the recordings presented here Bill had worked with Georgia Tom Dorsey to produce one of the many successful guitar/piano combinations that were so popular in the wake of Leroy Carr and Scrapper Blackwell, the latter being a man to whom Bill gave a lot of attention. They had worked with Jane Lucas and the results were nothing like the blues and stomps of Bill's first appearances in the recording studios. Following this he had formed an alliance with pianist Black Bob with whom he worked the clubs and recorded. Along with Bob he would join with a group of other humble toilers in the local entertainment industry to produce the State Street Boys. Continued... More Info on our New Store >> |
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Big Bill Broonzy Vol 8 1938 - 1939 More Info on our New Store >> |
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Big Bill Broonzy Vol 9 1939 Big Bill Broonzy, vocal, guitar. With contributions from: Black Bob, piano; Jazz Gillum, vocal, harmonica; Carl Martin, guitar; Zeb Wright, violin; Louis Lasky, guitar; and others. Genres: Blues, Early Chicago blues, blues guitar, blues harmonica. Informative booklet notes by Keith Briggs. From this album's booklet notes.
Prior to the recordings presented here Bill had worked with Georgia Tom Dorsey to produce one of the many successful guitar/piano combinations that were so popular in the wake of Leroy Carr and Scrapper Blackwell, the latter being a man to whom Bill gave a lot of attention. They had worked with Jane Lucas and the results were nothing like the blues and stomps of Bill's first appearances in the recording studios. Following this he had formed an alliance with pianist Black Bob with whom he worked the clubs and recorded. Along with Bob he would join with a group of other humble toilers in the local entertainment industry to produce the State Street Boys. Continued... More Info on our New Store >> |
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Big Bill Broonzy Vol 10 1940 Big Bill Broonzy, vocal, guitar. With contributions from: Black Bob, piano; Jazz Gillum, vocal, harmonica; Carl Martin, guitar; Zeb Wright, violin; Louis Lasky, guitar; and others. Genres: Blues, Early Chicago blues, blues guitar, blues harmonica. Informative booklet notes by Keith Briggs. From this album's booklet notes.
Prior to the recordings presented here Bill had worked with Georgia Tom Dorsey to produce one of the many successful guitar/piano combinations that were so popular in the wake of Leroy Carr and Scrapper Blackwell, the latter being a man to whom Bill gave a lot of attention. They had worked with Jane Lucas and the results were nothing like the blues and stomps of Bill's first appearances in the recording studios. Following this he had formed an alliance with pianist Black Bob with whom he worked the clubs and recorded. Along with Bob he would join with a group of other humble toilers in the local entertainment industry to produce the State Street Boys. Continued... More Info on our New Store >> |
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